Sep 08, · International Library of Fashion Research Readies For Spring Opening with help from some major fashion houses, media specialists and design agencies. outside of Oslo to supply paper for Fashion design is the art of applying design, aesthetics, clothing construction and natural beauty to clothing and its blogger.com is influenced by culture and different trends, and has varied over time and place. "A fashion designer creates clothing, including dresses, suits, pants, and skirts, and accessories like shoes and handbags, for consumers Students will be guided as to how to conduct research in local collections and libraries and will produce a short contextually-oriented research paper on an art or design object or an artist or designer based on first-hand access to the object, artist, designer and archives
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History of fashion design refers specifically to the development of the purpose and intention behind garments, shoes and accessories, and their design and construction. The modern industry, based around firms or fashion houses run by individual designers, started in the 19th century with Charles Frederick Worth who, beginning inwas the first designer to have his label sewn into the garments he created.
Fashion started when humans began wearing clothes. These clothes were typically made from plants, animal skins and bone. Before the midth century the division between haute couture and ready-to-wear did not really exist.
But the most basic pieces of female clothing were made-to-measure by dressmakers and seamstresses dealing directly with the client. Most often, clothing was patterned, sewn and tailored in the household. When storefronts appeared selling ready-to-wear clothing, this need was removed from the domestic workload. The design of these clothes became increasing based on printed designs, especially from Paris, which were circulated around Europe, and eagerly anticipated in the provinces.
Seamstresses would then interpret these patterns as best they could. The origin of the designs was the fashion design research paper devised by the most fashionable figures, normally those at court, together with their seamstresses and tailors. Though there had been distribution of dressed dolls from France since the 16th century and Abraham Bosse had produced engravings of fashion in the s, the pace of change picked up in the s with increased publication of French engravings illustrating the latest Paris styles, followed by fashion magazines such as Cabinet des Modes.
Byall Western Europeans were dressing alike or thought they were ; local variations became first a sign of provincial culture and later a badge of the conservative peasant. In the early 20th century, fashion magazines and, with rotogravurenewspapers, began to include photographs and became even more influential.
Throughout the world these magazines were greatly sought-after and had a profound effect on public taste. Talented illustrators - among them Paul IribeGeorges LepapeErtéand George Barbier - drew attractive fashion plates for these publications, which covered the most recent developments in fashion and beauty. Perhaps the most famous of these magazines was La Gazette du Bon Ton which was founded in by Lucien Vogel and regularly published until During the early 18th-century, the fashion design research paper fashion designers came to the fore as the leaders of fashion.
In the s, the queen's dressmaker Françoise Leclerc became sought-after by the women of the French aristocracy, [4] and in the mid century, Marie Madeleine DuchaptMademoiselle Alexandre and Le Sieur Beaulard all gained national recognition and expanded their customer base from the French aristocracy to foreign aristocracy, fashion design research paper.
Rose Bertin July 2, — September 22,dubbed the 'Minister of Fashion', was the dressmaker to Marie Antoinette, Queen of France from to Bertin opened a shop in Paris and had a considerable influence on Parisian style, until the French Revolution forced her into exile in London. An outsider in the French Court, Marie Antoinette relied on Bertin's meticulous designs to help her "combat her enemies with style".
Marie Antoinette's unique fashion preferences such as masculine riding breeches or simple muslin shift dresses, contrasted sharply with elaborate gowns as the Queen attempted to create a persona that would allow the citizens of France to connect with her and her lifestyle.
Although Marie Antoinette's attempts were largely unsuccessful, the way in which Bertin helped the Queen express herself through fashion were groundbreaking and set a precedent for the monarchs who followed, and their designers, such as Louis Hippolyte Leroy.
And by the early 19th century, designers such as Ann Margaret Lanchester and Mary Ann Bell were expanding their businesses, and publishing their own designs in fashion magazines. An Englishman living in Paris, Charles Frederick Worth - is regarded as the first designer in the modern sense of the term, fashion design research paper, with a large business employing many largely anonymous tailors and seamstresses.
A former draper, Worth's success was such that he was able to dictate what customers should wear. Launched into the spotlight as the Empress Eugénie 's primary designer, Worth used his royal connections to gain recognition and clients. The proclamation on February 1, by Napoleon III that no visitors would be received to his court without formal dress meant that the popularity of Fashion design research paper gowns became overwhelming.
Ornately decorated and constructed from the finest materials, Worth's gowns are well known for their crinolines cage-like metal structures that held the dress out in a stylish shape. Throughout the early decades of the 20th century, high fashion originated in Paris and, to a lesser extent, London.
Department stores also sent buyers to the Paris shows, where they purchased garments to copy and openly stole the style lines and trim details of others. Both made-to-measure salons and ready-to-wear departments featured the latest Paris trends, adapted to the stores' assumptions about the lifestyles and pocket books of their targeted people, fashion design research paper.
Fashion design research paper outfits worn by fashionable women of during the Belle Époque were strikingly similar to those worn in the heyday of the fashion pioneer Charles Worth. By the end of the 19th century, the horizons of the fashion industry had broadened, due to the more stable and independent lifestyles of well-off women and the practical clothes they demanded.
However, the fashions of the Belle Époque still retained the elaborate, upholstered style of the 19th century. The changing of fashion was unthinkable, so the use of different trimmings was all that fashion design research paper clothing from one season to the next. Conspicuous waste and conspicuous consumption defined the fashions of the decade and the outfits of the couturiers of the time were extravagant, ornate, and painstakingly made.
The curvaceous S-Bend silhouette dominated fashion up until around The S-Bend corset thrust the chest forward into the mono-bosom, and, with the aid of padding, judicious placement of trim in clothing, and, most especially, a particular posture entirely independent of the corset, created the illusion of an "S" silhouette. This was a big change, as women's waists had been shaped by corsets since the Renaissance. The Maison Redfernfounded by the English tailor John Redfernwas the first fashion house to offer women sportswear and tailored suits based on their male counterparts, and his practical and soberly elegant garments soon became indispensable to the wardrobes of well-dressed women.
During the early years of the s the fashionable silhouette became much more lithe and fluid, and softer than in the 19th century. When the Ballets Russes performed Scheherazade in Paris ina craze for Orientalism ensued. The couturier Paul Poiret was one of the first designers to translate this into the fashion world.
Poiret's clients were at once transformed into harem girls in flowing pantaloons, turbans, and vivid colors and geisha in exotic kimono.
Poiret also devised the first outfit which women could put on without the help of a maid. The Art Deco movement began to emerge at this time and its influence was evident in the designs of many couturiers of the time.
Simple felt hats, turbans, and clouds of tulle replaced the styles of headgear popular in the 19th century. It is also notable that the first real fashion shows were organized during this period, by Jeanne Paquinone of the first female couturiers, who was also the first Parisian couturier to open foreign branches in London, fashion design research paper, Buenos Aires, and Madrid.
Two of the most influential fashion designers of the time were Jacques Doucet and Mariano Fortuny, fashion design research paper. Doucet excelled in layering pastel colors and his elaborate gossamer dresses suggested the Impressionist shimmers of reflected light. His distinguished customers never lost a taste for his fluid lines and flimsy, diaphanous materials.
While obeying imperatives that left little to the imagination of the couturier, Doucet was nonetheless a designer of immense fashion design research paper and discrimination, a role many have tried since, but rarely with Doucet's level fashion design research paper success.
The Venice -based designer Mariano Fortuny y Madrazo, was a curious figure, with very few parallels in any age. For his dress designs he conceived a special pleating process and new dyeing techniques. He gave the name Delphos to his long clinging sheath dresses that undulated with color. Each garment was made of a single piece of the finest silk, its unique color acquired by repeated immersions in dyes whose fashion design research paper were suggestive of moonlight or of the watery reflections of the Venetian lagoon.
Breton straw, Mexican cochineal, and indigo from the Far East were among the ingredients that Fortuny used. Changes in dress during World War I were dictated more by necessity than fashion. As more and more women were forced to work, they demanded clothes that were better suited to their new activities. Social events had to be postponed in favor of more pressing work and the need to mourn the increasing numbers of dead, visits to the wounded, and the general gravity of the time meant that darker colors became the norm.
A new monochrome look emerged that was unfamiliar to young women in comfortable circumstances. By fashionable skirts had risen above the ankle and, byto mid-calf. The period between the two World Wars, often considered to be the Golden Age of French fashion, was one of great change and reformation. Haute couture found new clients in the ranks of film actress es, fashion design research paper, American heiresses, and the wives and daughters of wealthy industrialists [ citation needed ].
After the First World War, a radical change came about in fashion. Bouffant coiffures gave way to short bobsdresses with long trains gave way to above-the-knee pinafores. Corsets were abandoned and women borrowed their clothes from the male wardrobe and chose to dress like fashion design research paper. Although, at first, many couturiers were reluctant to adopt the new androgynous style, they embraced them wholeheartedly from around A bustless, waistless silhouette emerged and aggressive dressing-down was mitigated by feather boas, embroidery, fashion design research paper, and showy accessories.
The flapper style known to the French as the 'garçonne' look became very popular among young women. The cloche hat was widely worn and sportswear became popular with both men and women, with designers like Jean Patou and Coco Chanel popularizing the sporty and athletic look. The great couturière Coco Chanel was a major figure in fashion at the time, known as much for her magnetic personality as for her chic and progressive designs.
Chanel fashion design research paper popularize the bob hairstyle, the little black dressand the use of jersey knit for women's clothing; she also elevated the status of costume jewelry and knitwear. Two other prominent French designers of the s were Jeanne Lanvin and Jean Patou.
Jeanne Lanvin, who began her career as a milliner, made such beautiful outfits for her young daughter Marguerite that people started to ask for copies. Lanvin's name appears in the fashion yearbook from abouthowever, it was in the s that she reached the peak of her success. The Lanvin style embraced the look of the time, with its skillful use of complex trimmings, dazzling embroideries, and beaded decorations in light, clear, floral colors that eventually became a Lanvin trademark.
By Lanvin produced many different products, including sportswear, furs, lingerie, men's fashion, and interior designs. Her global approach to fashion foreshadowed the schemes that all the large contemporary fashion houses would later adopt in their efforts to diversify. The style of Jean Patou was never mainstream, but full of originality and characterized by a studied simplicity which was to win him fame, particularly in the American markets.
Many of his garments, with their clean lines, geometric and Cubist motifs, and mixture of luxury and practicality, were designed to satisfy the new vogue for the outdoor life, and bore a remarkable similarity to modern sportswear. The most famous advocate of his style was Suzanne Lenglenthe legendary tennis champion. In menswear, there was a growing mood of informality, among the Americans especially, which was mirrored in fashions that emphasized youthfulness and relaxation.
In the past, fashion design research paper, there was a special outfit for every event in the well-dressed gentleman's day, but young men in the s, no longer afraid to show their youthfulness, began to wear the same soft wool suit all day long. Short suit jackets replaced the old long jackets of the past which were now only worn for formal occasions, fashion design research paper.
Men had a variety of sports clothes available to them, including sweaters and short pants, fashion design research paper, commonly known as knickers. For evening wear a short tuxedo was more fashionable than the tail-coat, which was now seen as somewhat old-fashioned.
The London cut, with its slim lines, fashion design research paper, loose-fitting sleeves, and padded shoulders, perfected by the English tailor Scholte, was very popular. Fair Isle patterns became very popular for both sexes. Heels, at the time, were often over two inches high and helped popularize the two-tone shoe. Salvatore Ferragamo and André Perugia were two of the most influential and respected designers in footwear, fashion design research paper.
Many stars of silent film had a significant impact on fashion during the s, including Louise BrooksGloria Swansonand Colleen Moore. The lighthearted, forward-looking fashions of the s gradually came to halt after the Wall Street Crash ofand succumbed to a more conservative style. While the flapper look persisted intofashion design research paper, it quickly disappeared afterward, although bell-shaped hats lasted through In the s, as the public began to feel the effects of the Great Depressionmany designers found that crises were not the time for experimentation.
Fashion became more compromising, aspiring to preserve feminism 's victories while rediscovering a subtle and reassuring elegance and sophistication. Overall, s clothing was somber and modest, fashion design research paper, reflecting the difficult social and economic situation of the decade.
From Idea to Final Garment, The Full Fashion Design Process
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Fashion as Design focuses on a selection of more than 70 garments and accessories from around the world, ranging from kente cloth to jeans to 3D-printed dresses. Through these garments, we’re going to look closely at what we wear, Jul 01, · To prepare a fashion design portfolio, organize your materials chronologically, starting with the most recent work and moving backwards. You can also tell a story with your work by arranging your material to show development or a guiding principle. Next, pick sketches, swatches, and high-quality photographs of your best work to showcase Sep 10, · Fashion Designing is one of the most popular Design specialisations among students. Every year thousands of candidates apply at different Fashion Designing colleges across the country with an aspiration to become a successful fashion designer in future. If you too are seeking a career in Fashion Design, you have landed at the right place
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